Thursday, 25 August 2016

How Much Should You Charge For Your Photography?

Model: Ambe DeVille.

50mm - 1/60 @ f2 @ 200 ISO


We're an alternative modeling & photography magazine so we won't be discussing how much you should charge for wedding, food, or event photography. At a later date we will post an article on "How Much Should You Charge For Your Modeling" from a model's perspective.

The first thing you should ask is: how much is your time worth?

How much should you charge for your photography (style & standard of quality), travel time, post-processing, and media? Photography is a highly competitive field and it can be time-consuming searching for new clients. How much you should charge for your photography depends on multiple factors.

  • Experience. If you are just starting out, you should look into becoming someone's assistant. Learn the basics. Once you start shooting solo, you should do trade shoots until you've built up a substantial portfolio. Find some friends that are willing to let you shoot them. In the beginning, if you want to photograph an established "name" model, you will likely have to pay to work with them. In year one, I didn't charge anyone for a shoot. I have now been shooting for 10 years.
  • Research. Do some research and look at your local competition and see what they are charging. Most photographers post their rates on their websites. Are your photography skills on the same level as your competition? Is there a demand for your style of portrait photography? Don't lowball. Your rates should be around the same level or not too far off from your competition. If you start too low, it will be hard to raise your rates later.
  • Limits. If you are doing a portrait session, you should limit the amount of edited photos you deliver to the client. 5 edits. 10 edits. Never give the client all the raw photos. Only deliver the best and be clear in the beginning about how many photos you will deliver. Don't promise a quick turnaround time, if it's not possible for you. Be realistic about when you can actually finish the photos.
  • Prints & Licensing. Don't stop with just giving your client a CD. A good portion of your profit can come from selling prints and licensing.
  • Equipment. Beyond your camera, portrait lenses range from $100 - $2,500. Then there's lighting equipment, background stands, computers and software. Eventually, you will need to pay off your equipment. If you're experienced, don't shoot for free!
  • Time. I recommend charging per look and not by the hour. If you're subject wants additional looks, there should be an additional fee. Don't have a rush shoot because you are charging by the hour. Make sure you get the shots you need to satisfy your client.
  • Make-up. Hook up with a local pro make-up artist. If your client wants professional make-up, offer that option at your make-up artist's rate. Some clients have no idea how to apply make-up for a photo shoot, so you should have a make-up artist available, if needed.
  • Goals. What is your goal for the year? To earn a little extra income to pay for your gear or to make a living doing just photography?


In part 2 of this article we will discuss how to break down your daily cost of business (DCOB).


~ Danny Stygion

editor (@) sinicalmagazine (.) com.

Follow Danny Stygion Photography on Facebook 

Follow Sinical on Facebook

Follow Sinical on Twitter

Let us know what you think in the comments.{jcomments on}


Review: Nikon 50mm f/1.8G

1/125 @ f1.8 @ 200 ISO


Model: Polly Glamorous. Location: Wine Down Bistro in Kemah, Texas. Outfit provided by The Haunted Heel.


This is a short review of the Nikon AF-S NIKKOR 50mm f/1.8 prime lens. The photos were taken at the Wine Down Bistro, located in the lighthouse district of Kemah, Texas. The model was Polly Glamorous. 

This lens is the successor to the "nifty-fifty" 50mm 1.8D lens. The Nikkor 50mm f/1.8G has a silent wave motor (SWM) which allows the camera to auto-focus on any Nikon DSLR's. The auto-focus is quiet and faster than the 35mm f/1.8G. The lens has a solid build, with a plastic exterior and a metal mount. There is a rear gasket to keep out moisture and dust. M/A Focus mode switch for changes between manual and autofocus operation. The manual override on autofocus mode (M/A mode), allows you to change the focus without having to change the mode to manual mode. Focusing distance on this lens is 1.5 feet.

The optical formula is 7 elements in 6 lens groups. One of the elements is aspherical. The filer size is 58mm. The lens comes with a 58mm snap-on front lens cap, rear lens cap, bayonet hood HB-47, and a flexible lens pouch, and a 5 year warranty. The lens is light at 6.6 ounces, and the lens measures 2.1 by 2.8 inches. The f1.8G is bigger then the f1.8D. There is no vibration reduction (VR) on this lens or aperture ring.

It's large aperture of f/1.8 is great for low light photography. The 50mm focal length is "normal" on a full-frame FX format body equivalent to the naked eye. On a cropped-frame DX-format body the 50mm becomes equivalent to 75mm. The standard portrait focal length is around 85mm. This is a fixed lens and not a zoom lens, so you will need to use your feet to adjust/compose.

The smooth and creamy bokeh is great and beats out the 1.8D. Bokeh is defined as "the effect of a soft out-of-focus background that you get when shooting a subject, using a fast lens, at the widest aperture, such as f/2.8 or wider." This lens is sharp wide open, especially in the center. For tact sharpness, stop down to f5.6. 


 1/125 @ f2 @ 200 ISO

125 @ f2.8 @ 200 ISO

Final word: If you want a sharp, fast-focusing lens with pleasing bokeh at an affordable cost ($220), pick up this lens. The Nikon 50mm f1.8G is $200 cheaper then the f/1.4G. Even if it's not their primary lens, most photographers have a 50mm in their gear bag.

~ Danny Stygion

editor (@) sinicalmagazine (.) com.


Follow Sinical on Facebook

Follow Sinical on Twitter

Let us know what you think of this lens in the comments.{jcomments on}


The Lady Lauren Interview


Models: The Lady Lauren and Masuimi Max
Photographer: Morat Photographer
Makeup: Masuimi Max


Sinical Magazine: What was the first pinup, fetish, or alternative magazine you came across?

The Lady Lauren: I think it was Bizarre Magazine when I was in London. I remembered thinking, "now this is my type of magazine! And I love these models!" After that shortly, I scored a shoot with Masuimi Max!

Sinical Magazine: How did you get started in alternative modeling?

The Lady Lauren: Shortly after I came back from London, I started booking as many shoots as I could in the fetish scene. I scored a shoot with Masuimi in LA and things really took off after that. I became a suicide girl and after a year, left the community to be a Gods Girl and was much happier with that. I really dabbled with all kinds of modeling but the alternative and fetish scene is really where I found my ground.


Model: The Lady Lauren
Makeup: The lady Lauren
Wardrobe: Dawnamatrix Latex
Photographer: Red Rum Collaboration

Sinical Magazine: What are your measurements?

The Lady Lauren: 36-24-36.

Sinical Magazine: What do you think makes a model stand out from others?

The Lady Lauren: It's all about, what can bring to the table? With the Internet blowing up, it's so hard to find original ideas. I think the most important thing is to stay true to what you like and so best and don't sell out for the promise of fame. If you do something you regret, that's stays with you forever.

Sinical Magazine: What is the most interesting thing that has happened to you as a model?

The Lady Lauren: Probably getting to partake in fetish Con in 2010. I was pretty new to the fetish scene and to fetish modeling and there were all these intense thins going on around me that I didn't quite understand yet. I played it off like it wasn't a bi deal but inside I was going, "this is crazy!!!!" Now I am more seasoned and I love every bit of it. If I happen to walk into a scene where a person is ball gagged or bound I don't even flinch!



Models: The Lady Lauren and Raquel Reed
Makeup: Raquel Reed
Hair: Sheer Terror Hair Design
Photographer: Carlos Peralta

Sinical Magazine: Who are some photographers you've worked with and who are some you would like to work with?

The Lady Lauren: I've been lucky to work with amazing photographers, my favorite being Morat (Masuimi's husband) , Ellen Stagg, Red Rum Collaboration, but I would love the chance to work with Steve Diet Goedde and Viva Van Story!!! I'm very happy to announce I will be shooing with Gothic photographer Laura Dark in July!

Sinical Magazine: Who are the top 5 alt. models, currently?

The Lady Lauren: In my opinion, I think Masuimi, Mosh, Ophelia Overdose, Bianca Beauchamp, and my personal favorite, Rubberdoll.


Model: The Lady Lauren

Photographer: Ellen Stagg
for Staggstreet
Hair and Makeup by The Lady Lauren


Sinical Magazine: Who are the top 5. alt. photographers, currently?

The Lady Lauren: Honestly, I feel privileged because I have worked with two I consider in this list being Morat and Red Rum and wanting to work with Viva an Steve Goedde rounding out my next two! I'd have to say number 5 being Alex Manfredini.

Sinical Magazine: Clothing wise, what is your main fetish?

The Lady Lauren: Probably saying, "I love latex" is over being redundant when it comes to asking a fetish model what she likes to wear most but of course I do! I adore corsets and stocking too, likewise.


Model: The Lady Lauren
Photographer: DaussFoto
Hair and makeup: The Lady Lauren

Sinical Magazine: Who are some of your favorite designers?

The Lady Lauren: Wearing Dawnamatrix latex in my shoot with Red Rum was a dream come true. I loved it. I'm so excited to wear my custom latex Peacock collar that was made by the Baroness in NY at my shoot with Laura Dark too!!!

Sinical Magazine: What type of music do you listen to?

The Lady Lauren: I'm a metal girl all the way! I love me some Megadeth! But I also like trip hop and industrial too!

Sinical Magazine: What is the alt/fetish scene like in your city?

The Lady Lauren: Well, it's kinda underground. It definitely exists but not so openly. Whenever I want to attend a huge fetish event or party I always have to travel but I'm hoping too make a big pact here as well.

Sinical Magazine: Where can Sinical readers see more of your work?

The Lady Lauren: My website is, you can find all my links there and I'm also a model for gods girls. My twitter is @theladylauren.


Follow Sinical on Facebook

Follow Sinical on Twitter

{jcomments on}


Brains Before Beauty by Hollis Ireland

Photo by Christopher C. Pickrell


This article was featured in issue #8 of Sinical Magazine. Print copies can be ordered here.


The niche of alternative modeling is an odd market to navigate. Somewhere between the vague categories of art and porn, it’s not a business that can truly be defined. Aspects of horror and fetish culture, gothic art, and even a bit of mainstream beauty, albeit of the “neu” sort, come together to form an odd hybrid of small industry and popularity contest. Like any place of work, the artist’s studio (or, in the case of a model or photographer, hotel room or abandoned building) can be a wonderful and terrible place to work depending upon the attitude of the collaborators. Unlike most places of work, however, the world of models and photographers is an open market, and can be pursued by anyone, for better and for worse. The lack of a job interview or background check opens doors for both undiscovered talent and less-than-business-like intentions. The experiences had while working as an alternative mannequin or photo-taker are unique to the niche, which is a far cry from the more selective, closed industry of mainstream, commercial agencies. Our little, underground world of professional weirdos is rather eyeopening and testing. While the positive experiences are usually fulfilling, both artistically and professionally, the negatives should be a call for outrage.

For the past 6 years, I have worked as an alternative, nude model. I modeled part-time while finishing college, and then I made the jump to full-time after realizing that I wasn’t ready for a 9-to-5 after graduation. The job offered professional freedom, the opportunity to travel, and a chance at financial independence, which is something my classmates couldn’t seem to find while navigating the more typical career market. Most of my experiences were good, some were nothing short of wonderful, and the rest were enough to drive me to make the decision to work towards a different occupation in the New Year. The rate of burn-out is high because there are too many individuals, models and photographers alike, who seem hell-bent on turning a great underground market that is full of opportunities for creative minds into a sleazy, back-alley-type business. From tales of photographers asking models for sexual favors to models almost asking for ill treatment through their lackadaisical actions, the lack of professionalism has always astounded me.


Photo by Christopher C. Pickrell

What bothers me the most, and what truly inspires me to write this column, is the lack of outrage among all involved. Why are flaky, unintelligent models with attitudes that would get a fast food worker fired consistently hired? Why are photographers who ask for sex acts and conduct themselves in a less-than-business-minded manner allowed to remain with their reputations practically unscathed? And why are those who choose to “rant” about these inconsistencies few and far between? I write because those questions don’t have answers; because some refuse to even ask such questions and simply accept the niche for all it brings. To quote a rather cliché statement by Laurel Thatcher Ulrich, “Well-behaved women seldom make history,” and although I doubt I’ll change the course of the entire alternative modeling business, I can at least hope to inspire the dialogue that might incite change. I feel passionate towards the creation of art; towards the opportunities presented that aren’t available in a mainstream industry.

The alternative niche allows those whose voices might otherwise be silenced to find an outlet, and that is why I believe we can come together to work towards a better professional environment. More of us just need to be willing to speak out against the abuse of the modelphotographer relationship. We need to take a stance against perverts masquerading as business professionals, and push the abusers out of the industry. When there is an incentive to be honest and ethical, anda disincentive to treat our co-workers and clients with disrespect, I believe creativity and passion can finally thrive.


Follow Sinical on Facebook

Follow Sinical on Twitter


Please let us know what you think in the comments!{jcomments on}


Page 48 of 126

Secrets In Lace Retro Lingerie

Alchemy of England


Sign up to the Sinical e-mail list and receive a free digital issue. 

Sinical Magazine

Sinical Magazine - August 2016

Model: Ludella Hahn

Photo by Evan Smith

Purchase a copy here


Model: Therése Rosier

Photo by Lucie Kout

Purchase a copy here

Sinical Magazine Archive

45x Back Issues Bundle

(Digital PDF format)

Order here.